DARKROOM EDITION PRINT SERIES 30th ANNIVERSARY
I am thrilled to introduce Darkroom Edition 2016 a limited edition silver gelatin print as part of my ongoing Special Collector's Edition print series. I have been contemplating the idea of producing a limited edition print of my image Trees in Snow, Winter Sun, El Capitan Meadow, Yosemite Valley, California for a number of years. I decided that now is the time to do so, and am pleased to introduce it as Darkroom Edition 2016.
The first limited edition print I released was my image Birch Trunks, New Hampshire. It was offered under the mantle of Darkroom Edition 1986 thirty years ago. Fortunately the edition was a great success, and much to my surprise I received a number of letters (this was long before emails and eNewsletters!) asking if I would be offering another Darkroom Edition. It had never crossed my mind. Over the years I have offered six previous Darkroom Edition limited edition prints - all of which have sold out. Since 2016 marks the 30th anniversary of the Darkroom Edition series, it seemed like a perfect time to rejuvenate the idea.
This 11x14" silver gelatin print is offered in a limited edition of 100 signed and numbered prints, plus ten Artist's Proofs. When the edition is sold out no further prints will be made for sale in any size. Though my open edition 11x14" prints have a retail price in galleries of $1,000, the special introductory price for this Darkroom Edition limited edition print is $800 – a 20% discount. After December 31, 2016 the retail for any remaining unsold prints will increase to $2,000, and will escalate as the edition sells.
To place a secure online order for this print, follow this link:
Trees in Snow, Winter Sun, El Capitan Meadow
This image has held a special place in my heart since I made the negative and first printed it a number of years ago. I liked the image so much that I selected it as Plate One in my book Recollections: Three Decades of Photographs. I made this image during a winter trip to my favorite photographic location, Yosemite Valley. The day started out with a heavy overcast that soon lead to a steady snowfall. In early afternoon the clouds suddenly broke and strong, crisp low-angle sunlight raked across El Capitan Meadow. The light moved quickly so I had to respond in kind. I hope you will find this print to be as interesting and as exciting as I do.
Prints will begin shipping on December 5, 2016. If you would like to receive your print in time for the Holidays, please be sure to let us know at the time of the order. It would be a good idea to follow up with an email as well. We will make every effort to ship prints out in time for Holiday gift giving to those who need them. All of the prints ordered will be shipped no later than March 31, 2017.
This silver gelatin, selenium toned, print is approximately 13-1/4 x 10-1/4", personally printed by me (as are all my prints), processed to current archival standards, signed, numbered, mounted, and overmatted to 16x20" on 100 percent rag museum board. As has been the case with all previous "Darkroom Edition" prints, a beautifully printed archival presentation sheet will accompany each print. All prints are carefully prepared and packaged in specially designed protective shipping boxes and shipped fully insured via UPS ground. If you have any questions about my prints, please feel free to contact Anne at 831-659-3130 or email: firstname.lastname@example.org. Our office hours are Monday through Thursday from 10:00 am to 1:00 pm Pacific time.
2017 AND EARLY 2018 JOHN SEXTON PHOTOGRAPHY WORKSHOPS SCHEDULE ANNOUNCED
I am pleased to announce my new workshop schedule for 2017 through early 2018. I continue to be amazed at the interest in the workshops that we offer. It is particularly rewarding to note the international interest in our traditional printmaking workshop, The Expressive Black and White Print, being offered in 2017 for the thirty-fourth consecutive year. By popular demand we are once again offering the Fine Tuning the Expressive Print workshop in April 2018. This workshop is open only to individuals who have previously taken one of my printing workshops.
You can see the complete schedule, get detailed information about the workshops, and download an illustrated PDF of the new workshop brochure here: http://www.johnsexton.com/schedule.html
We have indicated that past offerings of the Fine Tuning workshop could be the last such offering. However we continue to get workshop alumni specifically requesting the opportunity to take this workshop, so we are planning to offer it one more time again. Will it be the last offering? At this point we think so… but who knows what the future holds?
If you're interested in next October's Mono Lake and the Eastern Sierra: Exploring Autumn Light workshop, be sure to apply early, as this workshop fills quickly. Charlie Cramer and I both personally review all applications and try and put together a workshop group that will create a stimulating environment for all who attend – both traditional and digital photographers are invited to apply for this synergistic field workshop experience.
I want to thank all of our workshop Corporate Partners and Associate Partners for their support of the program once again this year. It is amazing to realize it was more than forty years ago that I taught my first small workshop with my long-time friend John Charles Woods for a few fellow photography majors at Cypress College. We had a great time on that workshop, and I continue to learn so much from participants today. I always believe the instructor learns more than any individual student in a workshop experience. On our workshops we try and provide an environment that presents useful information, as well as inspiration, to encourage personal growth in your photography.
Again, to learn more about the workshops, or to apply, please visit my web site johnsexton.com where you can download the complete workshop brochure as well as the application form.
IMPORTANT INFORMATION FOR USERS OF 120 FORMAT KODAK PROFESSIONAL FILMS- PLEASE READ
As many readers are likely aware, I have used Kodak Professional film continuously for more than four decades. Over the years I have found Kodak film to be of the highest possible quality and consistency. However, anomalies can occur from time to time. There have been recent reports that appear to be associated with certain batches of 120 format Kodak Professional film.
The problem can easily be seen in the photograph below recently made by William Wetmore. I appreciate William allowing me to share this example with readers. You will notice the word Kodak clearly appears in the sky, along with frame number '13' multiple times. I first became aware of this situation a few months ago when a former workshop participant brought some online discussions on this topic to my attention. Unfortunately, as time has passed, I have encountered a number of students, colleagues, and friends who have experienced this exact problem.
©2016 William Wetmore. All rights reserved.
Follow this link for more detailed information: John Sexton May 2016 Newsletter
Watch John Sexton, along with his longtime friend Kim Weston, discuss their passion for the black- and- white print in these brand new videos produced by Epson.
Epson Web Site Celebrates the Black-and-White Print and it even includes videos of me, and my longtime friend Kim Weston. Epson launched this web site today. I am very pleased with the way my
LEXUS - ANSEL ADAMS: CHASING LIGHT VIDEO FEATURING JOHN SEXTON
NOMINATED AS FINALIST IN DIGIDAY VIDEO AWARDS
Exactly one year ago Anne and I were in Lone Pine working with a young and energetic production crew from The Enthusiasts Network (TEN), on a video for Lexus. The production, undertaken with the cooperation of The Ansel Adams Publishing Rights Trust, culminated in a 13-minute video: Chasing Light – Inspired by Ansel Adams.
Lexus Vehicles at Ansel Adams' Winter Sunrise Location
Well, the video has just been nominated as a finalist in the prestigious Digiday Video Awards in the “Best Video Design - Consumer” category. I was pleased to be a part of the production, and Anne and I thought the final result was excellent. We are thrilled for the hard working production team at TEN, and have many fond memories from the intense week we spent with them visiting photographic locations around California. Our days regularly began at 4:00 am (ugh!!!) and on occasion we were still rigging or driving after midnight! It was hard work, but we had fun!
You can read in greater detail about the project in last year’s eNewsletter here.
If you haven’t already seen it, I hope you will watch the video here.
By the way... those Lexus SUV’s are very comfortable! It was the fist time I had experienced air-conditioned seats in a vehicle (aka bun chillers!). I hope you enjoy the video, and I am sure you will learn a thing or two about Ansel that you might not already know through the insightful comments of William Turnage, the Managing Trustee of the Ansel Adams Publishing Rights Trust.
Sexton is frequently conducting lectures, seminars and book signings.
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Site last updated November 21, 2016